| 艺术美与艺术美的创造——对黑格尔艺术美范畴的理解 |
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| 引用本文： | 王向峰.艺术美与艺术美的创造——对黑格尔艺术美范畴的理解[J].辽宁大学学报(哲学社会科学版),2010,38(1):1-6. |
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| 作者姓名： | 王向峰 |
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| 作者单位： | 辽宁大学,文学院,辽宁,沈阳,110036 |
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| 摘 要： | 黑格尔以“美是理念的感性显现”来界定艺术和艺术美，如果扬弃他的“理念”的客观唯心主义性质以其作为艺术用感性形式显现的生活现实和人的思想情感存在的虚体符号，便可见出艺术美的创造对于自然状态的超越，以及艺术创造对于艺术创作者的自我创造和对于现实观照的双重意义。
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| 关 键 词： | 艺术美 自然美 理念 感性显现 超越性 自我创造 双重观照 |
Artistic Beauty and the Creation of Artistic Beauty |
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| WANG Xiang-feng.Artistic Beauty and the Creation of Artistic Beauty[J].Jounal of Liaoning University(Philosophy and Social Sciences Edition),2010,38(1):1-6. |
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| Authors: | WANG Xiang-feng |
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| Institution: | College of Literature/a>;Liaoning University/a>;Shenyang 110036/a>;China |
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| Abstract: | Hegel defined art and artistic beauty asBeauty is the semblance of the Idealin sensuous form. If discarding the nature of the objective idealism of his Ideal,taking it as both the reality that art presents in the sensuous forms and the virtual symbols that human thoughts and feelings exist, we can see that artistic creation exceeds its natural state, and that artistic creation has the double significances towards the selfcreation of the artists and the contemplation towards reality. |
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| Keywords: | artistic beauty natural beauty ideal the semblance in sensuous form exceed self-creation double contemplation |
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