| 论美国灾难影片中的生态意识 |
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| 引用本文： | 夏伟翔,傅宗洪.论美国灾难影片中的生态意识[J].重庆交通学院学报(社会科学版),2007,7(6):55-58. |
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| 作者姓名： | 夏伟翔 傅宗洪 |
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| 作者单位： | 西华师范大学 四川南充637002 |
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| 摘 要： | 美国灾难电影以其独特的视角关注着现代社会里的生态问题，具有很强的生态意识。它通过自身的艺术方式纠改着唯我独尊的“人类中心主义”发展观，显示了万事万物息息相关，人类文化与周围的自然相互依存，互荣共生，各种生物都拥有在茫茫宇宙中平等生存权利的生态观念，表达了强烈的生态忧患意识。
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| 关 键 词： | 灾难影片 生态意识 人类中心主义 |
| 文章编号： | 1674-0297(2007)06-0055-04 |
| 修稿时间： | 2007年9月5日 |
On the Ecological Consciousness of the American Disaster Movies |
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| XIA Wei-xiang,FU Zong-hong.On the Ecological Consciousness of the American Disaster Movies[J].Journal of Chongqing Jiaotong University(Social Sciences Edition),2007,7(6):55-58. |
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| Authors: | XIA Wei-xiang FU Zong-hong |
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| Institution: | XIA Wei-xiang, FU Zong-hong (West China Normal University, Nanehong, Sichuan 637002, China) |
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| Abstract: | The American disaster movies concerned modern society's ecological issues on their unique perspective,and had a strong consciousness of ecology.They correct the developmental conception of "human center",showing all things in the world that are related to human culture and everything is interdependent and symbiotic,every life-form has equal right of life in the vast universe.And they also expressed strong ecological awareness of hardship by their own artistic way. |
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| Keywords: | disaster movie ecological consciousness anthropocentrism |
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