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关于莎士比亚悖论的再思考
引用本文:张代生.关于莎士比亚悖论的再思考[J].东北师大学报(哲学社会科学版),2005(4):104-108.
作者姓名:张代生
作者单位:东北师范大学,外国语学院,吉林,长春,130024
摘    要:浪漫主义莎评充满了种种悖论:莎士比亚到底是主观诗人还是客观诗人?他的创作究竟是自觉的意识活动还是非自觉的无意识活动?对其戏剧的解读应该进行人物性格分析,还是进行意象分析?不同批评家在这些问题上往往持有截然相反的见解.然而,正是这些关于莎士比亚的悖论提出了一系列发人深省的文学理论问题,至今仍值得我们认真思考.如果对这些问题加以深入探讨,将有助于更好地继承浪漫主义的批评遗产,丰富我们的文学理论宝库.

关 键 词:浪漫主义  莎士比亚  非个性化  无意识  性格分析
文章编号:1001-6201(2005)04-0104-05
修稿时间:2005年2月26日

Further Reflection on the Paradoxical Criticisms with regard to Shakespeare
ZHANG Dai-sheng.Further Reflection on the Paradoxical Criticisms with regard to Shakespeare[J].Journal of Northeast Normal University(Social Science),2005(4):104-108.
Authors:ZHANG Dai-sheng
Abstract:There have been various paradoxes in the midst of criticisms on Shakespeare from Romanticism: Was Shakespeare a subjective poet or an objective one? Was his creation a conscious activity or an unconscious one? Should the apprehension of his dramas be done through analyzing the characters or images? Different critics have polarizing viewpoints in answering those questions. However, those very paradoxes on Shakespeare have brought about a series of thought-provoking theoretical issues to literature that are still worth pondering today. A profound probe into those issues will help to better inherit the legacies of Romantic criticisms and enrich our literary theories.
Keywords:Romanticism  Shakespeare  nonindividuality  unconsciousness  analysis of character
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