| 超越荒诞,回归本真——电影《斗牛》中的生存关怀 |
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| 引用本文： | 吕晓潇. 超越荒诞,回归本真——电影《斗牛》中的生存关怀[J]. 重庆交通大学学报, 2014, 14(4): 78-80 |
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| 作者姓名： | 吕晓潇 |
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| 作者单位： | 山东科技大学外国语学院,山东青岛,266590 |
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| 基金项目： | 山东省艺术科学重点课题“全球化视野下的山东影视作品研究及其产业建设” |
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| 摘 要： | 电影艺术在娱乐大众的同时也承担着传递真知、生存关怀的“诗”之职责.电影《斗牛》（2009）是一部反传统的抗战影片,将普通人在战争中的生存境遇和复杂的人性呈现出来.影片塑造了一个存在主义英雄牛二,他用西西弗式的坚韧承担生命中的苦难,对抗世界的虚无与荒诞.他在各种境遇中不断选择、自我塑造,逐步超越自我,走向生命本真,实现生命的“诗意栖居”.
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| 关 键 词： | 《斗牛》 生存 荒诞 生命本真 |
Beyond the Absurdity and Towards the Essence of Life The Caring of Existence in Cow |
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| LV Xiaoxiao. Beyond the Absurdity and Towards the Essence of Life The Caring of Existence in Cow[J]. Journal of Chongqing Jiaotong University(Social Sciences Edition), 2014, 14(4): 78-80 |
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| Authors: | LV Xiaoxiao |
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| Affiliation: | LV Xiaoxiao(College of Foreign Languages, Shandong University of Science and Technology, Qingdao, Shandong 266590, China) |
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| Abstract: | Film art bears the responsibility of ＂poetry＂ for truth transferring and haman concern when entertaining the public. As an anti - traditional fdm about the Second Sino-Japanese War, Cow puts the living condition of the ordinary life and the presence of humanity as its focus. The existentialist hero--Niu＇er assumes a Sisphus attitude towards the misery of life to fight against the absurdity and nihility of the world. Through his choices in different situations, he molds himself, transcends himself and eventually finds his inner peace in nature. |
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| Keywords: | Cow existence absurdity essence of life |
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