| 中国传统纹饰与现代设计 |
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| 引用本文： | 戴鹏.中国传统纹饰与现代设计[J].河北工程大学学报(社会科学版),2006,23(4):128-128,F0003. |
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| 作者姓名： | 戴鹏 |
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| 作者单位： | 河北科技大学,艺术学院,河北,石家庄,050000 |
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| 摘 要： | 面对中国的设计现状,我们应该倡导民族文化和先进文化,使中国的传统文化艺术在现代设计中得以延伸发展,打造新的民族形式,在理解的基础上取其“形”、延其“意”、从而传其“神”,用中国传统文化精粹,以现代化国际化语言来表达,使民族的文化精神和世界的设计语言,共同融汇成现代设计艺术的主流,必定会使现代设计更具文化性与社会性。
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| 关 键 词： | 传统文化 纹饰 现代设计 平面设计 |
| 文章编号： | 1008-9896(2006)04-0128-02 |
| 修稿时间： | 2006年1月10日 |
The succession and inovation of the traditional pattern in modern graphic design |
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| Authors: | DAI Peng |
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| Abstract: | Traditional pattern are the symbolization and media of national conception,they have specifically meaning and requirement.Through the think of tradition pattern,succession and improvement of the tradition culture in the contemporary development is essential.While the tradional element should melt with modern ones for the design thinking is changes consistently.So they will contain not only present-day spirit but also traditional style,that's the way which the article used to analysis interaction between them. |
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| Keywords: | tradition pattern modern graphic design succession innovation |
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