| 《离骚》意境论──体验批评的一个尝试 |
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| 引用本文： | 余福智.《离骚》意境论──体验批评的一个尝试[J].佛山科学技术学院学报(社会科学版),1994(5). |
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| 作者姓名： | 余福智 |
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| 作者单位： | 佛山大学商学部 |
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| 摘 要： | 《离骚》达到“化境”：主体、客体和艺术形式三者水乳交融,最能传达屈原的具体验;《离骚》的“香草美人”意象并非简单的象征,“香草美人”和其它意象构成意境,传达出正在出演悲剧的大志士的真体验;《离骚》役使神祗灵物的幻想,并非由“浪漫主义手法”炮制,而正是屈原真体验的本身。
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| 关 键 词： | 意象 意境 体验 |
On the Artistic Conception of Li Sao |
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| Yu Fuzhi.On the Artistic Conception of Li Sao[J].Journal of Foshan University(Social Science),1994(5). |
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| Authors: | Yu Fuzhi |
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| Abstract: | Li Sao best expressed on Yuan's experiences by reaching the merging realm of subject, object and artistic form. " The Aromatic Grass Beauty" in Li Sao was not a mere symbol. The Aromatic Grass Beauty, together with other smpbols formed the artistic conception and expressed the real experiences of those tragedy showing heroes with lofty ideals. The imagination of spirits in Li Sao was not conceived through romantism but through the red experiences of on Yuan. |
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| Keywords: | symbol artistic conception experience |
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