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论司马迁的诗学观
引用本文:刘宁.论司马迁的诗学观[J].唐都学刊,2005,21(2):119-123.
作者姓名:刘宁
作者单位:西安文理学院,文学院,陕西,西安,710065
摘    要:自从亚里士多德的《诗学》问世后,诗学就成为文艺理论、美学的代名词,即以科学的观点与方法研究文艺、美学问题。梳理《史记》中司马迁有关诗、赋的片言只语的论述,参照《史记》的实际创作,可以从以下几个方面来理解司马迁的主要诗学观点:其一,本质论:"诗以达意";其二,创作论:"发愤"说;其三,价值论与鉴赏论:宗经。

关 键 词:司马迁  诗学观  "诗以达意"  "发愤"说
文章编号:1001-0300(2005)02-0119-05
修稿时间:2004年12月8日

Inheritance and Development--SI Ma-qian's Ideas on literary and Artistic Creation
LIU Ning.Inheritance and Development--SI Ma-qian's Ideas on literary and Artistic Creation[J].Tangdu Journal,2005,21(2):119-123.
Authors:LIU Ning
Abstract:Since the publishiping of Aristotle's "PERI POIETIKES",the concept of "poetic study"in the Tang Dynasty had been a synonym for literary and artistic theory or aesthetics which means scientifically studying literature,art and aesthetics.SI Ma-qian's argumentation on poetry and poetic prose in "Records of the Historian" indicate SI Ma-qian's ideas on literary and artistic creation:the essence of literature and art is conveying ideas;the purpose of literary and artistic creation is expressing worries and indignance and literary and artistic works should be evaluated and appreciated in the light of Confucianism.
Keywords:SI Ma-qian  ideas on literature and art  
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