女作家笔下城乡相遇的两种向度——王安忆《富萍》与铁凝《哦，香雪》比较研究

城乡冲突的实质在于空间冲突，即两种文化形态以政治的名义进行权力博弈。王安忆的《富萍》和铁凝的《哦，香雪》是当代女作家书写农村题材的重要作品，两篇作品尽管篇幅不同，但表达的内容却有相似之处。《哦，香雪》勾勒了原生空间被侵入后的诗意现场，主人公香雪一心向往乡村外的世界，却在看与被看之后沦为他者；《富萍》是漂泊者的史诗，主人公富萍走进城市却不被城市所容，命运在城市与农村间辗转徘徊。香雪是富萍的前身，香雪在没有成为富萍之前保留着淳朴的本真，当现代文明裹挟着香雪的灵魂，以不可知的未来和高贵的文化形态相要挟时，迫使香雪们由内到外地转变为漂泊的富萍们，富萍们看似无根却立场坚定充满进取地漂泊着。女作家们的互文写作，呼唤一种城乡共生的良性文化的出现。

Two Angles of Describing Urban-rural Conflicts from Different Writers——The Comparative Literature Study on Fu Ping by Wang Anyi and A h, Xiang Xue by Tie Ning

The essence of urban--rural conflicts lies in space conflicts, which show power games in the name of politics between two cultural patterns. Fu Ping by Wang Anyi and A h, Xiong Xue by Tie Ning, two famous rural works written by contemporary Chinese female writers, share something in common in contents although the length of the two works is different. A h, Xiang Xue depicts that the heroine Xiang Xue longs for the outside world after the primitive environment where she lives in is ＂invaded＂ by something exotic. Fu Ping describes the wandering life in a big city. The heroine Fu Ping migrates to a city but fails to integrate herself into the city life with her fate hanging in balance between cities and rural areas. Xiang Xue is the predecessor of Fu Ping, who is still simple and innocent. When confronted with the various uncertainties in the future and more advanced culture in modern civilization, Xiang Xue has to turn herself into the girls like Fu Ping, who seems to be rootless but persistently continues her tough life in the city. Female writers describe a similar theme from different perspectives to cry for a positive culture coexisting in cities and rural areas.