| 清末民初京剧编演新戏运动及启示 |
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| 引用本文： | 钟鸣.清末民初京剧编演新戏运动及启示[J].北京社会科学,2015(8):46-54. |
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| 作者姓名： | 钟鸣 |
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| 作者单位： | 中国戏曲学院 戏文系,北京,100073 |
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| 基金项目： | 2014年度国家社科基金艺术学重大项目 |
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| 摘 要： | 清末民初京剧编演新戏成为近代中国戏曲文化鼎盛时期的一个标志性现象。它至少在四个方面形成了重要的影响：一是成为同时期启蒙运动的组成部分；二是新构了具有“南北差异”的新兴戏曲文化；三是催进了京剧新生代的崛起；四是启发了京剧演出体制的“现代”转型。
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| 关 键 词： | 戏曲文化 京剧改良 启蒙运动 |
Enlightenment of the event of Beijing Opera play creation in the early 20 th century |
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| ZHONG Ming.Enlightenment of the event of Beijing Opera play creation in the early 20 th century[J].Social Science of Beijing,2015(8):46-54. |
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| Authors: | ZHONG Ming |
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| Abstract: | the event of Beijing Opera play creation in the early 20th century is a symbol. It has the influence of four aspects:firstly, it interacted with the Enlightenment; secondly, it led to the north and the south different opera culture;thirdly, the rise of new generation of Beijing Opera;The last, the transformation of Beijing Opera system performance. |
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| Keywords: | Chinese traditional theatre culture Beijing Opera improvement The Enlightenment |
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