“破坏性重述“:胡适新的文学史观的构筑

将中国文学按表现工具分成民间兴起的生动的活文学与正统的僵化的死文学，这一文学史理论假说，是胡适文学史研究的主要贡献。胡适提出新文学的来源皆在民间，打击了贵族文学与传统思想。胡适在文学史研究中的“破坏性重述”，思路新奇，见解独到，框架体例别致，但也存在着许多空疏与偏颇。

The Construction of HU Shi about the New Literary History

HU Shi thesis dividing chinese literature into folk living and death orthodox literature was his main contribution He Believed that the people was the sources of the new literature. It striked relentless blows at the noble literature and traditional thought. His study had many mistakes naturally.