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游戏与自由:中国现代主义文论的早期话语
引用本文:王洪岳.游戏与自由:中国现代主义文论的早期话语[J].浙江师范大学学报(社会科学版),2008,33(2):20-24.
作者姓名:王洪岳
作者单位:浙江师范大学人文学院,浙江,金华,321004
基金项目:浙江省社会科学规划项目
摘    要:中国文学中现代主义观念的出现是从晚清文学游戏观的出现开始的。这也是梁启超文学“新民说”之外的另一种重要的文学观念。它与西方康德、尼采等现代主义美学思想有一种内在的联系,在其演变发展中逐渐成为中国早期现代主义文论的话语表达,并最终体现为王国维的“无用之用”文学观的诞生。

关 键 词:游戏观  无用之用说  现代主义文论  话语形态
文章编号:1001-5035(2008)02-0020-05
修稿时间:2007年9月4日

Game and Freedom: On the Discourse of Early Chinese Modernist Literary Theories
WANG Hong-yue.Game and Freedom: On the Discourse of Early Chinese Modernist Literary Theories[J].Journal of Zhejiang Normal University:Social Sciences,2008,33(2):20-24.
Authors:WANG Hong-yue
Institution:WANG Hong-yue ( College of Humanities, Zhejiang Normal University, Jinhua 321004, China)
Abstract:The concept of modernism in Chinese literature can be traced back to the debut of the literarygame view in the late Qing dynasty (1644 -1911 ). As an important literary view other than Liang Qichao' s "New-People Theory" on literature, it is closely related to the ideas of modernist aesthetics held by Kant and Nietzsche, and gradually becomes the predominant discourse of early Chinese modernist theories on literature. It is finally expressed in Wang Guowei' s literary concept of "non-utilitarian utilization".
Keywords:the game view of literature  the theory of non-utilitarian utilization  modernist literary theory  modality of discourse
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