| 以画为寄:晚明文人画美学的基本特征 |
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| 引用本文： | 华枫. 以画为寄:晚明文人画美学的基本特征[J]. 江南大学学报(人文社会科学版), 2002, 1(1): 99-102 |
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| 作者姓名： | 华枫 |
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| 作者单位： | 江南大学,文学院,江苏,无锡,214064 |
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| 摘 要： | 晚明文人画美学思想的基本特征是 :以画为寄。它要求绘画超越其物质依赖性 ,而转向表现自我内心。这一美学理想包含“真情说”和“自适论”两个方面的具体内涵 ,它的代表者分别是徐渭和董其昌
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| 关 键 词： | 以画为寄 真情 自适 徐渭 董其昌 |
| 文章编号： | 1009-5926(2002)01-0099-04 |
| 修稿时间： | 2001-09-10 |
To Repose one's Mind in Drawing--Essentials of Late Ming Dynasty's Drawing |
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| HUA Feng. To Repose one's Mind in Drawing--Essentials of Late Ming Dynasty's Drawing[J]. Journal of Southern Yangtze University:Humanities & Social Sciences Edition, 2002, 1(1): 99-102 |
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| Authors: | HUA Feng |
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| Abstract: | This thesis examines the essential characteristic of Late Ming Dynasty's aesthetics of drawing.It is "to repose one's mind in drawing".It demands drawing to go beyond its physical dependence and become to show inner world.This aesthetics has two main meanings:one is "the theory of sincere emotion"; the other is "the theory of self-satisfaction".Xu Wei and Dong Qichang are their delegates. |
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| Keywords: | to repose one's mind in drawing sincere emotion self satisfaction Xu Wei Dong Qichang |
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