| 《容膝斋图》与《青卞隐居图》；构图之比较 |
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| 引用本文： | 张充吕. 《容膝斋图》与《青卞隐居图》；构图之比较[J]. 齐齐哈尔大学学报(哲学社会科学版), 2003, 0(1): 119-121 |
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| 作者姓名： | 张充吕 |
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| 作者单位： | 齐齐哈尔大学艺术学院,黑龙江,齐齐哈尔,161006 |
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| 摘 要： | 通过对《容膝斋图》与《青卞隐居图》构图中的取舍、宾主远近、黑白虚实、取势、开合呼应、疏密、藏露 ,边角等方面进行比较分析 ,一方面阐释其构图章法上的独到精妙之处 ,另一方面也使中国画构图的研究具体化、深入化
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| 关 键 词： | 《容膝斋图》 《青卞隐居图》构图比较 |
| 文章编号： | 1008-2638(2003)01-0119-03 |
| 修稿时间： | 2002-09-07 |
"Narrow room picture"and "blue and green Bian live in seclusion and pursue" comparison of composition |
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| ZHANG Chong Lu. "Narrow room picture"and "blue and green Bian live in seclusion and pursue" comparison of composition[J]. Journal of Qiqihar University (Philosophy & Social Science Edition), 2003, 0(1): 119-121 |
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| Authors: | ZHANG Chong Lu |
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| Abstract: | Through to "narrow room picture" and choice,host and guest,distance in the composition that "blue and green Bian lives in seclusion and pursues".The actual situation that black-and-white,fetch the tendency,open and shut echoing density,hiding revealing, corner,etc.respect to carry on comparative analysic,The original and precise and wonderful place that is explained on the art of composition of its composition on the hand,even make the reserch of the composition of Chinese painting specified,melts deeply on the other hand. |
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| Keywords: | blue and green bian lives in sedusion and is pursued" " the composition is compared in " ,narrow room picture |
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