和谐之声——解读《新娘·主人·十字架》

挪威作家西格丽德·温塞特的《新娘·主人·十字架》中，女性不再是传统父权文化中男性的附庸、家庭的奴隶，作者在作品中从三个方面呈现了双性和谐的理想态势：其一，以男性为客体，男性气质不再是父权文化下的“硬汉形象”，而是从女性视角去刻画；其二，追求爱情和谐，在爱情中淡化女性贞洁观念，认为两性真诚相爱的爱情是至高无上的，能冲破重重障碍，并获得圆满的结局；其三，追求生活和谐，打破父权文化的禁锢，使男性可以在生活中依附于女性，将二者置于平等的位置，既能各司其职，又不互相干涉。双性和谐是两性解放的最终目的，同时也是人类社会的理想境界。

The Sound of Harmony -- Interpreting Kristin Lavransdatter

In Norwegian writer Sigrid Undset＇s novel Kristin Lavransdatter, the female is no longer the vassal of the male and the slaves of family in the traditional patriarchal culture, and therefore he shows an ideal situation of harmonious relationship between men and women from three aspects in the novel： First, he takes the male as the object, and masculinity is no longer the ＂tough guy image＂ of the patriarchal culture, but he depicts it from the female perspective. Second, he pursues harmonious love, diluting the concept of female chastity in love, thinking that sincere love is supreme between the sexes, and can break through any barrier, and get a happy ending. Third, he pursues a harmonious life, break- ing the imprisonment of the patriarchal culture, and thinks that men can live attached to female, and that male and female are in an equal position, so that they carry out their duties without interfering with each other. Harmonious relationship between men and women is the ultimate goal of sexual liberation, and it is the ideal realm of human society.