| 互渗与消融--《女神》文本结构的重新解读 |
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| 引用本文： | 刘悦坦. 互渗与消融--《女神》文本结构的重新解读[J]. 山东师范大学学报(人文社会科学版), 2001, 46(2): 14-17 |
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| 作者姓名： | 刘悦坦 |
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| 作者单位： | 山东大学,文学院,山东,济南,250100 |
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| 摘 要： | 郭沫若历来关注原始思维与诗歌创作的关系.《女神》中代表作"鼓舞调"与"回环调"两类诗体结构是在原始诗歌"反复体"与"叠句体"基础上的扩充互渗而成.《女神》中的两大基本意象大海与太阳,其内在结构也是互渗的,并且与诗歌形式存在着密切的关系,互渗导致了郭沫若个性的极度扩张的同时,更导致了对个性的消融.
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| 关 键 词： | 郭沫若 女神 文本 互渗 |
| 文章编号： | 1001-5973(2001)02-0014-04 |
| 修稿时间： | 2000-09-06 |
Mutual Permeation and Melting--New Interpretation of the Text Structure of Goddess |
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| Liu Yuetan. Mutual Permeation and Melting--New Interpretation of the Text Structure of Goddess[J]. Journal of Shandong Teachers' University(Social Science Edition), 2001, 46(2): 14-17 |
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| Authors: | Liu Yuetan |
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| Abstract: | Guo Moruo always paid great attention to the relation between primitive thinking and creation.The two kinds of poetic structures in Goddess,Encouraging Tone and Recurrent Tone,are based on the structures of Recurrence and Sentence Repetition.The two basic symbols.The sea and sun,are mutually permeated in structure and closely related to the structure of the poem,which led to the melting of personal character while extending Guo Moruo's personal character to the utmost. |
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| Keywords: | Guo Moruo Goddess text mutual permeation |
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