| 浅析中国画构图中的取势 |
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| 引用本文： | 邹少灵. 浅析中国画构图中的取势[J]. 湖南人文科技学院学报, 2008, 0(3): 103-104,110 |
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| 作者姓名： | 邹少灵 |
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| 作者单位： | 湖南人文科技学院,湖南,娄底,417001 |
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| 摘 要： | 取势在中国画构图中非常重要,一幅画的成功与否取势起了决定性的作用.本文通过对花鸟画、山水画构图中的取势运用进行了分析与研究,揭示了取形用势的规律和方法.
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| 关 键 词： | 取势 取形用势 构图 运用 |
Brief Analysis on Taking the Potential in the Composition of Chinese Painting |
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| ZOU Shao-ling. Brief Analysis on Taking the Potential in the Composition of Chinese Painting[J]. Journal of Hunan Institute of Humanities,Science and Technology, 2008, 0(3): 103-104,110 |
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| Authors: | ZOU Shao-ling |
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| Abstract: | Taking the poential is very important in the composition of Chinese painting,and it plays a decisive role in the success of a painting.By analysing the application of taking the potential in the compositon of the flower-and-bird painting and the landscape painting,the rules and methods of taking the shape and using the potential are revealed. |
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| Keywords: | taking the potential taking the shape and using the potential composition application |
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