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浅者深之 高者下之——论李渔《耐歌词》雅俗相和的艺术特色
引用本文:骆兵. 浅者深之 高者下之——论李渔《耐歌词》雅俗相和的艺术特色[J]. 南都学坛, 2002, 22(3): 66-70
作者姓名:骆兵
作者单位:华东师范大学中文系,上海,200062
摘    要:李渔主张词的创作应该雅俗相和。他的词集《耐歌词》是他的艺术主张的具体实践。李渔词鲜明的艺术特色表现在 :点铁成金 ,化腐朽成神奇 ;脱落窠臼 ,推陈旧出尖新 ;别开生面 ,变质实为清空 ;寓谐于庄 ,引意趣入词篇。在词学方面 ,李渔算不上一位“大家” ,但是 ,他的词在数量众多、风格各异的清词中毕竟独树一帜 ,为清代词的中兴做出了不容忽略的贡献

关 键 词:李渔    雅俗相和  艺术特色
文章编号:1002-6320(2002)03-0066-05
修稿时间:2002-03-29

Making the simple language abstruse, making the abstruse language simple
LUO Bing. Making the simple language abstruse, making the abstruse language simple[J]. Academic forum of nandu, 2002, 22(3): 66-70
Authors:LUO Bing
Abstract:LiYu standed for writing a ci should be to integrate refinement with popular.Her collection Nai Ge Ci was her practice of the view.The artistic characteristics of LiYu' ci shown that turning the crude essay into the literary gem,weeding through the old to bring forth the new,changing the obscure into the lucid,leading the interest onto the ci .Thoung LiYu wasn't a great weiter in the ci ,her ci was still a original in style among the cies of Qing dynasty and contributed her bit to the cies of Qing dynasty that were progressing.
Keywords:LiYu  ci  integrate refinenemt with popular  artistic characteristics  
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