南朝墓志铭创作述论 |
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引用本文: | 牛香兰. 南朝墓志铭创作述论[J]. 宝鸡文理学院学报(社会科学版), 2015, 0(5). DOI: 10.13467/j.cnki.jbuss.2015.05.014 |
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作者姓名: | 牛香兰 |
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作者单位: | 青海民族大学文学与新闻传播学院,青海西宁,810000 |
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基金项目: | 青海民族大学高层次人次项目南朝四言文体嬗变研究(项目编号2015XJG07)。 |
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摘 要: | 墓志铭汉至两晋数量极少,这一时期体制上尚不完备。南朝墓志铭较前代篇辐增加,文体风格逐渐定型。南朝四言墓志铭受儒家经典《礼记》《诗经》影响明显,雍容典雅,庄严肃穆。这和宋、齐、梁、陈历经频繁政权更替,希望稳定长久,儒学遂成为国家意识。在此背景上,又由于南朝墓志铭的作者多为帝王和儒士,那么其创作必为儒家思想之体显。
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关 键 词: | 南朝 儒学 四言墓志铭 |
On the Composition of the-four-word Epitaph in Nan Dynasty |
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Abstract: | The epitaphs in the Han Dynasty to the Jin Dynasty were rare ,during this period the system was not perfect .The epitaph increased over the previous generation article spoke four words , Daxing style gradually stereotypes .The four word epitaph influenced by Confucian classics "book of Rites""book of songs" were graceful ,elegant and solemn .After frequent regime change in Song , Qi ,Liang ,Chen ,long‐term stability was expected ,and then Confucianism was taken as a national consciousness .Under this background , the authors of the epitaph were emperors and Confucian scholars ,so Confucianism was displayed . |
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Keywords: | Nan Dynasty Confucianism four-word epitaph |
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