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当代文化视角下的二胡演奏艺术
引用本文:许多军.当代文化视角下的二胡演奏艺术[J].长江大学学报(社会科学版),2006,29(6):120-121.
作者姓名:许多军
作者单位:长江大学,艺术学院,湖北,荆州,434020
摘    要:刘天华、阿炳不同艺术道路的殊途同归,使二胡艺术乃至整个民乐领域发展走向正道,以当代视角来看,经过半个多世纪的历史演进,“文人二胡”、“民间二胡”显现了移变重构。二胡不同艺术风格的发展,需要不同专业、不同学科知识结构多元的优化组合,立足传统,兼容中西,做到传统与现代相结合。

关 键 词:调和与合作  传统与现代  风格  技法
文章编号:1673-1395(2006)06-0120-02
修稿时间:2006年9月25日

The Art of Playing Erhu under the Perspective of Contemporary Culture
XU Duo-jun.The Art of Playing Erhu under the Perspective of Contemporary Culture[J].Journal of Yangtze University:Social Sciences,2006,29(6):120-121.
Authors:XU Duo-jun
Abstract:With Liu Tianhua and A Bing reaching the same artistic goal by different routes,the development of the art of playing erhu and even the whole folk music follows the correct path.Under the perspective of contemporary art,after half a century's evolution,there are changes and reconstruction in the phenomena of "literati erhu" and "folks erhu." The development of playing erhu in different styles requires the combination of players from different specialties and disciplines so that they can base themselves on the tradition,incorporate elements from east and west,and combine the traditional art with the modern art.
Keywords:coordination and cooperation  tradition and modern  style  technique  
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