生命悲剧的形象展示——《史记·高祖本纪》新解读

西方现代悲剧理论强调悲剧对象的审美价值而忽略其道德价值 ,并将悲剧冲突的根源指向人的内心矛盾。由此出发重新解读《史记·高祖本纪》 ,我们就会挖掘出一些新的内涵。司马迁是按照人性的逻辑来写人的 ,因此刘邦的身上体现了人性的真实 ,完全可以作为一个典型的悲剧个体来加以研究。同时刘邦的一生是一个被异化的人的生命悲剧 ,在欲望驱逐下他不断地追求 ,但功利心与道德心的二律背反、功成业就后生发的空虚失落都使他处于深层的精神痛苦中。刘邦的形象展示了人类共同的尴尬处境 ,具有深邃的哲理意蕴

The Vivid Revelation of Life Tragedy --New Comprehension to the Chronicle of Originator of Han Dynasty in Records of the Grand Historian

The modern tragic theory in the West emphasizes the tragic object's aesthetic value and neglects its moral value. Pointing the root of tragic conflict to the people's inner contradiction. If we read The Chronicle of Originator of Han Dynasty in Records of the Grand Historian again according to what I point out above we will gain some new connotations. SI Ma-qian portrayed characters according to the logic of human nature. Therefore the image of Liu Bang,who can be discussed as a typical tragic person,reflected the truth of human nature. At the same time all of Liu Bang' life is a life tragedy who was transformed by the society. He was prompted by desire to continously quest for the sense of fame and gain which countermoved from the sense of morality so far that after he was crowned with success he sank into mental void and loss that led to his deep spiritual agony. Since the image of Liu Bang lays bare the common human awkward position it is provided with deep implication of philosophic theory.