| 《乐记》的诗歌创作理论初探 |
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| 引用本文： | 江宇冰.《乐记》的诗歌创作理论初探[J].学术交流,2002(5):138-140. |
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| 作者姓名： | 江宇冰 |
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| 作者单位： | 黑龙江大学,国际文化教育学院,黑龙江,哈尔滨,150080 |
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| 摘 要： | 在诗、乐、歌合一的上古时代 ,《乐记》对以往零散的诗论有所继承和发展 ,并使之更加全面、系统。它强调君子知乐是诗歌创作的基础 ,心物感应是创作的契机 ,创作目的是移风易俗
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| 关 键 词： | 君子知乐 心物感应 移风易俗 |
| 文章编号： | 1000-8284(2002)05-0138-03 |
| 修稿时间： | 2002年3月12日 |
A Trial Probe into the Theory of Creation on Poems and Songs in The Book of Music |
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| JIANG Yu-bing.A Trial Probe into the Theory of Creation on Poems and Songs in The Book of Music[J].Academic Exchange,2002(5):138-140. |
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| Authors: | JIANG Yu-bing |
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| Abstract: | In ancient times with the unity of poems, music and songs, The Book of Music had inherited and carried forward former scattered theories on poems systematically, which stressed that during creating works, a well-read gentleman is the basis; the interaction between spirit and nature is the moment to draw inspiration; the goal of creation is to change prevailing habits and customs. |
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| Keywords: | a well-read gentleman the interaction between spirit and nature change prevailing habits and customs |
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