| “梅杜萨之眼”——从《禁闭》看萨特的哲学视界 |
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| 引用本文： | 余志平. “梅杜萨之眼”——从《禁闭》看萨特的哲学视界[J]. 上海大学学报(社会科学版), 2001, 8(4): 38-43 |
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| 作者姓名： | 余志平 |
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| 作者单位： | 重庆师范学院 中文系,重庆 400047 |
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| 摘 要： | 萨特名剧《禁闭》通过对地狱的戏剧性虚拟与对他人的戏剧性改写,在不断展开的戏剧过程之中表达了《存在与虚无》讨论人与人关系的基本观点和概念,从而使“他人就是地狱”这一主题蕴涵具有着高度的哲理性,显示出存在主义文学的基本特点。
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| 关 键 词： | 《禁闭》 存在主义 人与他人 |
| 文章编号： | 1007-6522(2001)04-0038-06 |
| 修稿时间： | 2001-01-10 |
"Medusa's Eye": Comments on Jean-Paul Sartre's Philosophical Thinking in No Exit |
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| YU Zhi-ping. "Medusa's Eye": Comments on Jean-Paul Sartre's Philosophical Thinking in No Exit[J]. Journal of Shanghai University(Social Science Edition), 2001, 8(4): 38-43 |
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| Authors: | YU Zhi-ping |
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| Abstract: | s: No Exit, a famous play by Jean Paul Sartre, expresses in a gradual and continuous development of the story some fundamental idcas and concepts concerning the relations between human beings discussed in his Being and Nothingness by inventing the hell and rewriting other characters dramatically, thus delineating the profound philosophy contained in the thome "others are hell" and revealing the basic characteristics of existentialist literature. |
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| Keywords: | No Exit existentialism a human being and others |
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