| 论禅定对中国古代水墨画形成的影响 |
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| 引用本文： | 邹晓.论禅定对中国古代水墨画形成的影响[J].汕头大学学报(人文社会科学版),2003,19(3):48-53. |
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| 作者姓名： | 邹晓 |
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| 作者单位： | 汕头大学艺术学院,广东,汕头,515063 |
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| 摘 要： | 中国古代水墨画摒弃纷繁的色彩 ,以黑白二色表现意象 ,形成独特的色彩意识。它的形成 ,除了众多复杂的因素外 ,与古代画者提倡禅定 ,重视内心静修有极大的关系 ,是画家一种“意象”的外现。
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| 关 键 词： | 水墨画 禅定 黑白 色彩 意象 |
| 文章编号： | 1001-4225(2003)03-0048-006 |
| 修稿时间： | 2003年1月12日 |
On the Influence of Deep Meditation while Sitting Quietly upon the Formation of Ancient Chinese Ink and Wash Painting |
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| ZOU Xiao.On the Influence of Deep Meditation while Sitting Quietly upon the Formation of Ancient Chinese Ink and Wash Painting[J].Journal of Shantou University(Humanities Edition),2003,19(3):48-53. |
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| Authors: | ZOU Xiao |
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| Abstract: | Ancient Chinese ink and wash painting relinquishes a riot of color and prefers black and white as its self image to form its own chromatic consciousness. Among the many complex factors for the choice, the most likely one is the deep meditation while sitting quietly practiced by ancient Chinese ink and wash painters.This might be an outer expression of the painters' image. |
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| Keywords: | ink and wash painting deep meditation while sitting quietly black and white color |
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