| 从浪漫派到艾略特:西方文论的世纪性转换 |
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| 引用本文： | 王钟陵. 从浪漫派到艾略特:西方文论的世纪性转换[J]. 湖南文理学院学报(社会科学版), 2003, 28(4): 15-25 |
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| 作者姓名： | 王钟陵 |
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| 作者单位： | 苏州大学文学院 江苏苏州215006 |
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| 摘 要： | 新批评的兴起 ,是继浪漫主义批评之后 ,西方文学理论的又一次转折。这一次转折的产生 ,同文学理论自身发展的内在逻辑密切相关。从表现转向暗示 ,比喻模糊成象征 ,情感性升华为精神性 ,音乐感的作用由抒情性转换为联想性 ,作品由诗人的产儿独立为一个自足的世界 ,作品的意义由作者赋予变而为就在作品自身 ,摹仿者之成为被摹仿者 ,形式的至上地位 ,这一切便是从浪漫主义文论转变为纯艺术论的一些要点。
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| 关 键 词： | 西方文论 浪漫主义 纯艺术论 演变 |
| 文章编号： | 1009-489X(2003)04-0015-11 |
| 修稿时间： | 2003-05-15 |
From Romanticism to Eliot:Cross- century Transformation of Western Literature Theory |
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| WANG Zhong-ling. From Romanticism to Eliot:Cross- century Transformation of Western Literature Theory[J]. Journal of Hunan University of Arts and Science:Social Science Edition, 2003, 28(4): 15-25 |
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| Authors: | WANG Zhong-ling |
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| Abstract: | The rise of new criticism is a new turning point in western literature theory after romanticist criticism.It is closely related with the inner development of literature theory.The transformation from romanticist literature theory to pure literature theory are characterized by:the changes from representation to implication,vivid analogy to vague symbolization,emotionalism to spriitualism,and music changed from conveying emotion to association,works changed from the products of prets to a self-sufficient world,the meanings changed from being expressed by the writers to being shown by the works themselves,imitators being imitated surprisingly and forms taking a super position. |
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| Keywords: | western literature theory romanticism pure art theory transformation |
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