| 孔子、荀子和《吕氏春秋》的乐论比较 |
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| 引用本文： | 周薇. 孔子、荀子和《吕氏春秋》的乐论比较[J]. 宁波大学学报(人文科学版), 2003, 16(3): 29-32 |
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| 作者姓名： | 周薇 |
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| 作者单位： | 华东师范大学,中文系,上海,200062 |
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| 摘 要： | 先秦时期,我国音乐美学思想比较发达,孔子乐论被认为是先秦音乐美学的创始,荀子乐论是我国历史上第一篇音乐美学专论,《吕氏春秋》吸收并糅合了先秦各家乐论。文章旨在将三家对音乐的缘起、本质、作用的论述作比较,以期清理出先秦音乐美学思想渐进发展的过程。
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| 关 键 词： | 乐论 发展 礼乐 和乐 |
| 文章编号： | 1001-5124(2003)03-0029-04 |
| 修稿时间： | 2002-09-05 |
A Comparative Study of the Views on Music of Confucius, Xunzi and Lushi Chunqiu |
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| Zhou Wei. A Comparative Study of the Views on Music of Confucius, Xunzi and Lushi Chunqiu[J]. Journal of Ningbo University(Liberal Arts Edition), 2003, 16(3): 29-32 |
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| Authors: | Zhou Wei |
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| Abstract: | Confucius is regarded as the founder of the music esthetics of the Pre-Qin period, Xunzi as the first man who made systematic studies of music and Lushi Chunqiu as an integrated study of music esthetics. This particle makes a comparison of the three schools. |
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| Keywords: | views on music development courtesy music harmonious music |
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