荒诞世界中的荒诞人生——从贝克特与尤奈斯库看西方荒诞戏剧

荒诞派戏剧是二战后流行于西方戏剧舞台的重要流派.代表性作家贝克特和尤奈斯库通过貌似荒诞怪异的故事和人物,对现存的社会价值观、政治道德秩序以及传统人际关系的异化进行了嘲弄、批判和鞭挞,代表了当时西方思想界对在经历了二战浩劫之后人类社会向何处去的反思与追问.荒诞派戏剧吸收了当时先锋艺术的成果,对西方戏剧的发展产生了积极的影响.

The Absurd Life in the Absurd World--On the Theatre of Absurd from Beckett and Ionesco

The Theatre of Absurd was one of the important schools on the we stern stage after the World War II. Playwrights like Beckett and Ionesco jeered, animadverted and castigated the dissimilation of the existing western values, p olitical and moral standards, and the traditional interpersonal relationship as well by seemingly absurd plots and characters, which indicated that the western realm of ideology had reflected upon the direction of human society after the Wo rld War II. Absorbing the artistic merits from the "avant-garde", the Theatre of Absurd has an important impact on the development of western drama.