| 海明威悲剧意识的发展 |
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| 引用本文： | 卢亚林.海明威悲剧意识的发展[J].盐城师范学院学报,2004,24(4):78-81. |
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| 作者姓名： | 卢亚林 |
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| 作者单位： | 盐城师范学院外语系 江苏盐城224002 |
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| 摘 要： | 悲剧意识是海明威思想体系和文学创作中最显著的特点之一。从《太阳照常升起》到《永别了 ,武器》 ,再到《丧钟为谁而鸣》和《老人与海》 ,海明威的悲剧意识经历了对悲剧的宿命论式的接受 ,对悲剧的自觉规避 ,以及与悲剧的积极抗争三个重要发展阶段。这些深刻的变化反映了海明威在探索生命意义上的积极成果 ,也表现了他在艺术追求上的不断成熟。
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| 关 键 词： | 悲剧意识 宿命论式的接受 自觉规避 积极抗争 |
| 文章编号： | 1003-6873(2004)04-0078-04 |
| 修稿时间： | 2004年8月20日 |
The Development of Hemingway's Tragic Sense |
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| LU Ya-lin.The Development of Hemingway''''s Tragic Sense[J].Journal of Yancheng Teachers College(Humanities & Social Sciences Edition),2004,24(4):78-81. |
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| Authors: | LU Ya-lin |
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| Abstract: | Tragic sense is one of the most remarkable features of Hemingway's ide ological system and literary creation. From The Sun Also Rises to A Farewe ll to Arms and then to For Whom the Bell Tolls and The Old Man and the Sea, Hemingway' s tragic sense undergoes three important stages of development: fatalistic accep tance of tragedy, conscious escape from it, and active struggle with it. These p rofound changes reflect the positive results of Hemingway's search for life's me aning and demonstrate his steady steps to maturity in artistic pursuit. |
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| Keywords: | tragic sense fatalistic acceptance conscious escape active struggle |
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