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论诗画融合的美学依据
引用本文:周桂峰. 论诗画融合的美学依据[J]. 汕头大学学报(人文社会科学版), 1994, 0(1)
作者姓名:周桂峰
摘    要:本文在考察了中国艺术史上诗画结合的过程之后,依据中国诗画结合的艺术实践,论述了中国诗画艺术原理的共通性:都是表现艺术,都讲究“虚实相生”,以及他们之间物质媒介不同的差异性与追求互补的吸引力,从而以此为中国诗画融合的美学依据。进而阐述了中国诗画融合艺术传统形成的“土壤”和“气候”。

关 键 词:中国诗画  艺术传统  美学

On the Esthetic Basis for the Mergence of Chinese Ink and Wash Painting with Poetry
Zhou Guifeng. On the Esthetic Basis for the Mergence of Chinese Ink and Wash Painting with Poetry[J]. Journal of Shantou University(Humanities Edition), 1994, 0(1)
Authors:Zhou Guifeng
Affiliation:Zhou Guifeng
Abstract:Based on an investigation of the long process as well as the artistic practiCe of the mergence of Chinese ink and wash painting with poetry in the history of Chinese art, this paper expounds the things in common in the two, and is of opinion that both of them are expressinnal arts which call for the mutual promtion of the real and the unreal, but each of them has an attraction for complementarity from the other because of difference in material medium, hence the esthetic basis for the mergence of the two. The paper goes further to elaborate the "Soil" and "climate" for the evolution of the artistic tradition of the mergence of Chinese ink and wash painting with poetry.
Keywords:Chinese ink and wash painting with poetry   artistic tradition   esthetics
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