| 黑格尔艺术终结论之我见 |
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| 引用本文： | 韦拴喜.黑格尔艺术终结论之我见[J].阴山学刊,2008,21(6):5-9. |
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| 作者姓名： | 韦拴喜 |
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| 作者单位： | 辽宁大学哲学与公共管理学院,辽宁沈阳110036 |
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| 摘 要： | 从本质上讲。黑格尔的艺术终结论并没有给艺术宣判死刑，而只是宣布了艺术作为人类最高旨趣和绝对真理之崇高地位的终结。在理论层面上，艺术终结论先验地预设于黑格尔思辨的哲学体系中；就现实意义而言。艺术终结论是黑格尔对现代文明下的艺术危机的敏锐反思和深刻洞见。“终结”之后的艺术将何去何从尚难预测，不过可以肯定的是艺术虽然在一定程度上失去了真理和意义的神圣维度，但作为人之依附物，它将始终会在审美（超越）与生活（功利）的二律背反中不断向前发展。
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| 关 键 词： | 黑格尔 绝对精神 艺术终结 现代性艺术 日常生活审美化 |
On Hegel's Theory of End of Art |
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| WEI Shuan-xi.On Hegel's Theory of End of Art[J].Yin Shan Academic Journal,2008,21(6):5-9. |
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| Authors: | WEI Shuan-xi |
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| Institution: | WEI Shuan-xi(College of Philosophy , Public Administration,Liaoning University,Shenyang 110036) |
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| Abstract: | By nature,Hegel's theory of end of art does not declare the death of art,but proclaims the end of the high status of art being human being's noble guide and absolute truth.On theories,the theory of end of art is previously set in Hegel's speculative philosophical system;for practice,it is Hegel's accurate reaction and profound thought towards art crisis of modern civilization.It is difficult to predict the future of art after the phase of ending.Although art has lost the sacred dimension of truth and signif... |
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| Keywords: | Hegel Absolute idea End of art Modern art Aesthetics of daily life |
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