| 论改革开放20年中国电影美学走向 |
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| 引用本文： | 潘秀通.论改革开放20年中国电影美学走向[J].上海大学学报(社会科学版),1999(4). |
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| 作者姓名： | 潘秀通 |
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| 作者单位： | 上海大学影视艺术技术学院!上海，200072 |
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| 摘 要： | 本文论述并揭示了改革开放20年中国电影的整体综合美学走向，有如“百川归海”，乃是新形势新条件下民族电影振兴与发展并走向当代的必然；而当代整体综合电影美学，融综合化与个性化、世界性与民族性、变化性与恒定性于一体，“无流不纳”，则为当代艺术自然和电影世界存在与发展的自然之势、自然之理。
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| 关 键 词： | 电影美学 改革开放 中国电影 整体综合 |
Aesthetic Trend of Chinese Films After Twenty Years' Open and Reformation |
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| PAN Xiu-tong.Aesthetic Trend of Chinese Films After Twenty Years' Open and Reformation[J].Journal of Shanghai University(Social Science Edition),1999(4). |
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| Authors: | PAN Xiu-tong |
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| Abstract: | The thesis delineates the general aesthetic trend of Chinese films after twentyyears' open and reformation. Like 'One hundred rivers flowing into the ocean, it is inexorable trend of Chinese films' revival and development in the way leading to modern society.Combining comprehensiveness and individuality. internationality and nationality, flexibilityand in flexibility into one, contemporary comprehensive film aesthetics is the natural resultof contemporary art nature and film development. |
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| Keywords: | film aesthetics Open and reformation Chinese film comprehensive |
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