| 作为形式反拨的悲伤自叙传——新时期和文革时期知青小说文本形式之对比分析 |
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| 引用本文： | 刘可可.作为形式反拨的悲伤自叙传——新时期和文革时期知青小说文本形式之对比分析[J].齐鲁学刊,2009(6). |
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| 作者姓名： | 刘可可 |
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| 作者单位： | 漳州师范学院,中文系,福建,漳州363000 |
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| 基金项目： | 福建省社会科学规划项目"文本与普通读者互动关系的实证研究" |
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| 摘 要： | 新时期知青小说在文体形式上采用了与文革时期知青小说相对抗的新形式:一、文革时期知青小说的全知叙事在新时期知青小说中转为限知叙事;二、文革时期知青小说中的"凡人看异人"模式在新时期知青小说中转为自叙传;三、文革时期知青小说中高昂明亮的喜剧色彩在新时期知青小说中转为浓郁的悲剧气息。这三种情形源于知青文学叙事从依赖政治权威向依赖个体经验的转变。
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| 关 键 词： | 文革时期知青小说 新时期知青小说 文本形式 悲伤的自叙传 |
The Contrastive Analysis of the Style Between the Educated Youth Novels Published in the Cultural Revolution Period and the Educated Youth Novels Published in the New Period |
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| Liu Ke-ke.The Contrastive Analysis of the Style Between the Educated Youth Novels Published in the Cultural Revolution Period and the Educated Youth Novels Published in the New Period[J].Qilu Journal,2009(6). |
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| Authors: | Liu Ke-ke |
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| Abstract: | On the style,the educated youth novels published in the new period adopt the new style to rebel to the educated youth novels published in the Cultural Revolution period.Firstly,the omniscience narration turned into the limited-omniscience.Secondly,the"Ordinary people see different" model turned into the self-expression.Thirdly,the comedic mood turned into the tragic mood.These three cases arise because of the conversion from depending on the political authority to depending on the individual experience. |
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| Keywords: | the educated youth novels published in the Cultural Revolution period the educated youth novels published in the new period style the sorrowful self-expression |
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