| “堂赠”与“大傩”合流考 |
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| 引用本文： | 伍苗苗.“堂赠”与“大傩”合流考[J].中山大学研究生学刊(社会科学版),2008(3). |
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| 作者姓名： | 伍苗苗 |
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| 作者单位： | 中山大学中国非物质文化遗产研究中心中文系; |
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| 摘 要： | 傩堂戏的得名与其在堂中表演有关,而其形成一直是个迷。本文通过对历史文献的爬梳,发现古代堂赠与大傩这两种不同的祭祀礼仪,由于举行的时间、内容等存在诸多相似之处,以致在唐以后合流,发展出不同于沿门逐疫的另外一种拥有固定场所的驱傩方式,并成为傩堂戏的滥觞。
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| 关 键 词： | 堂赠 大傩 合流 傩堂戏 |
The confluence of ceremony about Tangzeng and Danuo |
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| Authors: | WU Miao-miao |
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| Institution: | WU Miao-miao(Department of Chinese,Sun Yet-sen University,Guangzhou,510275) |
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| Abstract: | The drama of Nuotang is staging in the holl of temple,and it is so mysterious.Using data of literature,I am going to discuss the reason that why this drama coming out.I want to show that the two ceremony are similar to each other so they inosculate to one that has the changeless theater which is different to exorcise from door to door,and become the headstream of the drama of Nnuotang. |
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| Keywords: | Tangzeng Danuo confluence the drama of Nuotang |
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