| 谈中国画写意 |
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| 引用本文： | 杨健生.谈中国画写意[J].河南大学学报(社会科学版),2001,41(2):78-80. |
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| 作者姓名： | 杨健生 |
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| 作者单位： | 河南大学,艺术学院,河南,开封,475001 |
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| 摘 要： | 中国画是中国文化的高度凝聚与体现。它的发展历史较之西方绘画具有十分明显的继承性 ,这是由于在古老封闭的中国 ,历代画家总是在他的内部寻找问题、解决问题 ,以求突破。中国画有自己的审美理想和表现形式 ,有历史形成的占支配地位的思想文化传统 ,而中国画中的写意 ,则是传统中国画中的精华所在 ,是中国传统文化的具体体现。本文通过对中国画中的写与意的论述 ,强调写意在中国绘画中的重要性 ,它对现代中国画创作具有深远的意义
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| 关 键 词： | 中国画 写意性 似与不似 意象 |
| 文章编号： | 1000-5242(2001)02-0078-03 |
| 修稿时间： | 2000年12月10 |
On Xieyi in Traditional Chinese Painting |
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| YANG Jian_sheng.On Xieyi in Traditional Chinese Painting[J].Journal of Henan University(Social Science),2001,41(2):78-80. |
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| Authors: | YANG Jian_sheng |
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| Abstract: | The traditional Chinese painting,condensedly embodies the Chinese culture.Compared with the Western painting the traditional Chinese painting obviously has its succession.In ancient China,the painters preferred to create their own ideas of the appreciation of beauty and the form of expression. xie yi ,or freehand brushwork characterized by vivid expression and bold line,is the essence and the concret manifestation of the traditional Chinese painting.The paper focuses on the statement of xie yi so as to put an emphasis on its importance in Chinese painting.And the better understanding and using of xie yi will have a profound significance in the creation of modern Chinese painting |
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| Keywords: | traditional Chinese painting implication of xie yi similar and dissimilar artistic conception |
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