| 论《生死疲劳》的叙事策略 |
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| 引用本文： | 周彦彦.论《生死疲劳》的叙事策略[J].琼州学院学报,2014,21(6):71-74. |
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| 作者姓名： | 周彦彦 |
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| 作者单位： | 海南师范大学文学院,海口,571158 |
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| 摘 要： | 莫言仅用43天的时间就创作了近50万字的《生死疲劳》,其创作速度之快、文本之厚重、情节之复杂都令人惊奇。《生死疲劳》的成功与莫言独特的叙事策略密不可分,"六道轮回"的叙事模式、灵活多变的叙述视角以及怪诞传奇的叙事情节,不单是吸引读者的因素,更是文本构造的支柱。
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| 关 键 词： | 莫言 《生死疲劳》 叙事模式 叙述视角 叙事情节 |
The Narrative Strategies in Life and Death Are Wearing Me Out |
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| ZHOU Yan-yan.The Narrative Strategies in Life and Death Are Wearing Me Out[J].Journal of Qiongzhou University,2014,21(6):71-74. |
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| Authors: | ZHOU Yan-yan |
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| Institution: | ZHOU Yan-yan(School of Literature, Hainan Normal University, Haikou 571158, China) |
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| Abstract: | Mo Yan used only 43 days to create Life and Death Are Wearing Me Out wnicn has nearly 500 thousand words. The speed of its creation, the rich text, and the complex plot are all surprising. The success of Life and Death Are Wearing Me Out is inseparable from Mo Yah＇ s unique narrative strategies. In the book, the ＂Samsara＂ narrative mode, flexible narrative perspective, and grotesque narrative plot, not only attract readers, but also support the text. |
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| Keywords: | narrative plot Mo Yan Life and Death Are Wearing Me Out narrative mode narrative perspective |
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