新生代作家的影视生存与文化立场

1990年代以来与市场化浪潮同步成长的新生代作家表现出对城市生活想象性的写实,使得他们的写作与影视有了某种一致性,进而成为影视改编的一种基础性资源。与此同时,他们全身心投入到影视浪潮之中,参与影视编剧,使他们的作家身份带有明显的影视特征。在这种强烈的影视文化和商业意志的渗透下,新生代作家的创作出现想象贫乏的状态,自我重复现象比较严重,作品的原创性逐渐减弱。

The Survival through Film & TV and the Cultural Position of the New Generation Writers

Since the 1990s,the new generation writers who grow with a wave of marketization begin to write realistically about urban life,which makes novels and films conform to each other to some degree,which becomes the basic resources of film and television adaptation.At the same time,they dedicate themselves to the wave of film and television,and involve themselves in the writing of film and TV play scenarios.Because of the strong penetration of film and TV culture and the commercial will,those new generation writers lack imagination and suffer from serious self-duplication.