从“自由的形式”到“境界”——试论陈望衡的境界本体论美学的建构

陈望衡的美学研究一直关注审美本体。他的研究大体上可以分为两个阶段。第一阶段主要以马克思的《1844年经济学哲学手稿》作指导，接受社会实践本体论的影响，将“精神自由”看作审美的本体。第二阶段，则吸收中国古典美学传统，以“境界”为审美本体。境界内含自由，但突出了超越性、感性，更具审美特色。在当今中国美学研究中，陈望衡的境界本体论美学创造性地发展了马克思主义美学，为中国美学的发展做出了可贵的贡献。

From "Freedom" to "Ideal"--On Chen Wangheng's Aesthetics of Ideal Noumenon

Under the gvidance of Marxism and with reference to Western aesthetics,Mr. Cheng Wangheng has created a brand-new aesthetics of ideal noumenon on the basis of Chinese classical aesthetics which centers around open and dynamic aesthetic activities,focuses on man's actual life and aims at social happiness and harmonious development of man and nature.His aesthetics is greatly influenced by Marxism in the theory of aesthetic potentiality,aesthetic noumenon,aesthetic transcendence and aesthetic education.Therefore,his aesthetic is of great significance to the building of contemporary Chinese character aesthetics.