生产·诗意·语言——马克思文艺现代性批判的三个向度及其启示

裂变延异于“一切固定的东西都烟消云散了”社会景观中的马克思文艺现代性研究是冲决传统单以社会经济学维度涂鸦原典而深陷泥淖的反拨而采取的新举措，马克思文艺现代性批判主要体现在艺术生产、诗意裁判以及语言牢笼三个向度上。艺术生产是现代艺术“何以是”的内在隐忧；诗意裁判则是马克思肩住“生产”带来文学堕落的疗救；词与物的裂变，构筑了马克思现代语言观。从三个向度上以期马克思文艺现代性批判得以澄明。

Production, Poetics and Language: Three Dimensions of Marx' Arts Criticism of Modernity and its Enlightenment

Under the social circumstances in which ＂all fixed things have been lost,＂ Marx＇ arts criticism of modernity aims at attacking the traditional socioeconomics oriented theories. It mainly manifests itself in three dimensions, i. e. , the production of art, poetic judge and language cage. The production of art implies the inherent worry about ＂why it is called modern art＂; poetic judge functions as a remedy for literary degeneration caused by ＂production＂; Marx＇s outlook on language rests on the atomic fission of words and objects.