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情感的双声重奏——论吴梅村《秣陵春》传奇的隐喻修辞
引用本文:江合友,胡宪丽. 情感的双声重奏——论吴梅村《秣陵春》传奇的隐喻修辞[J]. 西南交通大学学报(社会科学版), 2006, 7(5): 43-47
作者姓名:江合友  胡宪丽
作者单位:1. 南京大学中文系,江苏,南京,210093
2. 石家庄铁路运输学校经济部,河北,石家庄,050051
摘    要:在特定的时代和社会背景的诱导下,梅村在《秣陵春》传奇的标题、开场、开头和结尾、主题、叙述层面、背景和人物、篇章层面灵活地运用隐喻,形成蕴纳情感双声重奏的文本结构,实现了作者“寄慨兴亡”的创作意图。同时戏曲的意义深度得以拓展,给予读者独特的审美认知和深切的审美体验。

关 键 词:吴梅村  传奇  《秣陵春》  隐喻
文章编号:1009-4474(2006)05-0043-05
修稿时间:2006-03-20

Metaphorical Forms in Wu Meicun''''s Poetic Drama Mo Ling Chun
JIANG He-you,HU Xian-li. Metaphorical Forms in Wu Meicun''''s Poetic Drama Mo Ling Chun[J]. Journal of Southwest Jiaotong Universit(Social Science Edition), 2006, 7(5): 43-47
Authors:JIANG He-you  HU Xian-li
Abstract:Induced by special times and particular social background,Wu Meicun perfectly used various metaphorical forms in his poetic drama Mo Ling Chun.He created a number of metaphorical images in the title,beginning and end,subject,narrating parts,background and figures,and literary piece of the drama.The metaphor in Mo Ling Chun greatly helps Wu to achieve his writing aims,strengthens the drama's artistic appeal,and enhances the connotation of the drama.Moreover,it offers readers peculiar aesthetic cognition and a deep aesthetic experience.
Keywords:Wu Meicun  poetic drama  Mo Ling Chun  metaphorical form
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