| 论虚实关系在舞美设计中的运用 |
| |
| 引用本文： | 王睿,王茜濡.论虚实关系在舞美设计中的运用[J].重庆邮电学院学报(社会科学版),2009(4):84-88. |
| |
| 作者姓名： | 王睿 王茜濡 |
| |
| 作者单位： | 重庆邮电大学传媒艺术学院;四川美术学院; |
| |
| 摘 要： | 虚与实是艺术创作技巧的美学原则，在舞台美术设计中，更显示出虚实结合的独特性和必要性，具体来说，表现在几个方面：在布景设置上，要以实带虚，以虚衬实；在意境表达上，要虚实对比，和谐产生；在光色处理上，要虚实变幻，以景托人；在舞台布局上，要讲究整体，统筹协调。
|
| 关 键 词： | 舞美设计 虚实关系 虚实范畴 |
Application of the Relationship between Reality and Unreality in Stage Design |
| |
| WANG Rui,WANG Qian-ru.Application of the Relationship between Reality and Unreality in Stage Design[J].Journal of Chongqing University of Posts and Telecommunications(Social Science Edition),2009(4):84-88. |
| |
| Authors: | WANG Rui WANG Qian-ru |
| |
| Institution: | WANG Rui1,WANG Qian-ru2 (1.College of Media-Arts,Chongqing University of Posts , Telecommunications,Chongqing 400065,China,2.Sichuan Fine Arts Institute,Chongqing 400053,China) |
| |
| Abstract: | The reality and unreality is the aesthetical principle of artistic creation technique.In stage design,the combination of reality and unreality becomes more necessary,and specifically speaking,it is shown in four aspects: for the stage setting,the reality must be combined with unreality;for the image expression,the reality must contrast against unreality,which brings harmonious beauty;for the lights and colors,the reality must interchange with unreality,which makes the scene set off the actors;for the stage ... |
| |
| Keywords: | stage design relationship between reality and unreality category of reality and unreality |
| 本文献已被 CNKI 维普 等数据库收录！ |
|
