| 众语喧哗时代的平民化“交响乐”——解读电影《辛亥革命》 |
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| 引用本文： | 王淑娅.众语喧哗时代的平民化“交响乐”——解读电影《辛亥革命》[J].山西高等学校社会科学学报,2012,24(3):117-119. |
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| 作者姓名： | 王淑娅 |
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| 作者单位： | 广播电影电视管理干部学院,山西太原,030013 |
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| 摘 要： | 为纪念辛亥革命100周年而拍摄的电影《辛亥革命》,—改传统主旋律电影的套路,意识形态日趋淡化,叙事视角以小见大,审美权重多元均衡。这表明,我国主旋律电影其宏观意识形态和历史观点一直呈现出进步的态势。
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| 关 键 词： | 主旋律电影 《辛亥革命》 平民化 |
Symphony of Populace in a Multi-lingua Clamorous Era——An interpretation of the film Revolution of 1911 |
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| Wang Shuya.Symphony of Populace in a Multi-lingua Clamorous Era——An interpretation of the film Revolution of 1911[J].Social Sciences Journal of Colleges of Shanxi,2012,24(3):117-119. |
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| Authors: | Wang Shuya |
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| Institution: | Wang Shuya(Professional Training Academy of Radio Film & TV,Taiyuan 030013,China) |
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| Abstract: | The film "Revolution of 1911",produced to celebrate the 100th anniversary o f the revolution by the same name,has exhibited some changes in the ways tradit ionally applied in producing the theme films:ideology being weakened,the narra tive perspective being minor but significant and representative enough,and aest hetic weight being plurally balanced.All this shows that the microscopic ideolog y and historical concepts embodied in the theme films in China reveal an tendenc y of progress. |
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| Keywords: | theme film Revolution of 1911 populace |
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