| 中国古典戏剧中的结果期待意识 |
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| 引用本文： | 陈才训.中国古典戏剧中的结果期待意识[J].东方论坛,2005(2):64-67,76. |
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| 作者姓名： | 陈才训 |
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| 作者单位： | 山东大学文学院,山东,济南,250100 |
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| 摘 要： | 结果期待意识作为一种极富民族特色的审美心理,它对中国古典戏剧的结构特征、表演程式及内容等都产生了明显影响.戏剧的题目、副末开场、楔子、冲场、小收煞、角色行当的符号化等都体现了这一审美心理."补恨传奇"的出现;大团圆结尾的长盛不衰,李渔等戏剧理论家"减头绪"、"贵减裁"等艺术主张,也是结果期待意识的显现.
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| 关 键 词： | 结果期待意识 古典戏剧 影响 |
| 文章编号： | 1005-7110(2005)02-0064-04 |
| 修稿时间： | 2005年1月4日 |
The Ending- Expecting Awareness in Chinese Classical Drama |
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| Chen Cai-xun.The Ending- Expecting Awareness in Chinese Classical Drama[J].Orient Forum,2005(2):64-67,76. |
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| Authors: | Chen Cai-xun |
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| Abstract: | The ending- expecting awareness, as a special aesthetic mentality of the Chinese people, has greatly influenced the structural features, performing patterns and content of Chinese classical drama. It finds expression in such items as drama titles, beginning and the symbolization of roles as well as in the unfailing popularity of happy endings, etc. |
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| Keywords: | ending - expecting awareness classical drama effect |
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