| 论《桥》的场景意象和社会风俗画 |
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| 引用本文： | 胡秦葆.论《桥》的场景意象和社会风俗画[J].广州大学学报(社会科学版),2009,8(11):64-69. |
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| 作者姓名： | 胡秦葆 |
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| 作者单位： | 广州铁路职业技术学院经济管理系,广东广州,510430 |
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| 摘 要： | 《桥》是京派小说家废名的长篇代表作。《桥》在场景意象化、社会风俗画和语言运用技巧等方面另辟蹊径，独创一格。这种意象化描写和风俗画营造乃抒情化小说一脉特有的艺术表现方法，能收到平中见奇、淡中藏味之效，向读者呈现出一幅幅迷人的乡村田园风景，渲染出一组组诗意般的江南山水画卷。
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| 关 键 词： | 废名小说 《桥》 场景意象 风俗画 |
On scenario concept of Bridge and genre painting |
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| HU Qinbao.On scenario concept of Bridge and genre painting[J].Journal of Guangzhou University(Social Science Edition),2009,8(11):64-69. |
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| Authors: | HU Qinbao |
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| Institution: | HU Qinbao (Department of Economic Management, Guangzhou Institute of Railway Technology, Guangzhou, Guangdong 510430, China) |
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| Abstract: | Bridge is a representative of saga novels written by Fei Ming, a Beijing-school novelist. He finds a new approach and creates a style of his own in Bridge in terms of scenario conceptualization, genre painting and language technique etc. The depiction of images and design of style of genre paintings are unique ways of presentation of lyrical novels, which can bring novelty to tradition and hide linguistic power in plain style of writing, presenting charming pictures of country scenery, and creating poetic environment of landscape painting of South China. |
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| Keywords: | Fei Ming＇s novels Bridge scenario concept genre painting |
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