| 论古典诗词中的"梧桐"意象 |
| |
| 引用本文： | 高卫红. 论古典诗词中的"梧桐"意象[J]. 河南社会科学, 2005, 13(6): 109-111 |
| |
| 作者姓名： | 高卫红 |
| |
| 作者单位： | 濮阳职业技术学院,人文科学系,河南,濮阳,457000 |
| |
| 摘 要： | 意象是古代文学作品中的一个基本范畴,特别是中国古典诗词,可以说是由无数意象构建成的艺术殿堂.梧桐,在现代日常生活中是一种普通的树木,但从意象初创时期的<诗经>一直到清词,"梧桐"意象频繁出现在古代文学作品中,并具有富贵、祥瑞、爱情、愁苦等审美意蕴.在反复使用和沿袭不衰的过程中,文人们用情感的链条,将它与其他意象组合,形成了丰富多彩的复合意象群,用来烘染氛围,营造意境,表达了不同的抒情主题.
|
| 关 键 词： | 意象 梧桐 原型 比兴 意境 |
| 文章编号： | 1007-905X(2005)06-0109-03 |
| 修稿时间： | 2005-09-10 |
On the Image of Chinese Parasol Tree in Chinese Classic Literature |
| |
| Gao Weihong. On the Image of Chinese Parasol Tree in Chinese Classic Literature[J]. Henan Social Sciences, 2005, 13(6): 109-111 |
| |
| Authors: | Gao Weihong |
| |
| Abstract: | Image is a foundamental category in the traditional literary works.The Chinese classic poems,especialy,can be an art palace that is made up of numbers of images.Chinese parasol tree is a common plant in our daily life.However,from poems in the Book of Songs in the original time of the image to Qing poems,Chinese parasol tree had been used time and time again in the traditional literary works and gradually carried the deep connotation such as rich propitiation,love and sorrow,etc..For the repeated use and being passed down,the image is tied to others images by the poets,forming the complex and colorful image group,in order to emphasize the atmosphere,creat the beautiful artistic conceptions and express various themes. |
| |
| Keywords: | image Chinese parasol tree prototype emergence artistic conception |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
