“西部电影”:锐意创新而弘扬主体性的现代人文风采

早在20世纪八九十年代之交,中国“西部电影”作为以地域文化为轴心,创作出了大量优秀的紧扣时代脉搏、凸显乡土人文情思的作品,产生了集群式的、强大的影响力,成为中国电影学派走向世界的一支风向标.然而,随着市场化、娱乐化风潮的袭击和裹挟,忽略了电影与生俱来的产业属性的西部电影至上世纪90年代后期出现了创作和产业的低迷.当今,西部电影应当紧跟时代脉搏,在“文化强国”新战略、新历史起点上,理当拓展西部电影的新领域、新题材,重构审美的现代之维,谱写中国以现代性崛起的时代华章.

The Modern Humanistic Mien of "Western Film":Innovatation and Development of the Subjectivity

As early as the turn of the 1980s and 1990s,Chinese western film as a film type with distinctive regional feature,closely held the pulse of the times,fully embodied the humanistic emotion characterized by tremendous changes of western rural area,and established a new aesthetic cornerstone for Chinese national film genre going towards the world.Ignoring the inherent attribute of film industry,the western film declined in the late 1990s,however.Standing at the new historical starting point,today’s western film needs to keep pace with the times and create new and glorious chapter for China′s rise of modernity with development of cultural connotation and reconstruction of aesthetic dimension.