| "闲"子范畴群的审美意义研究 |
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| 引用本文： | 苏状. "闲"子范畴群的审美意义研究[J]. 同济大学学报(社会科学版), 2010, 21(6) |
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| 作者姓名： | 苏状 |
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| 作者单位： | 复旦大学新闻学院; |
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| 摘 要： | "闲"是中国古代一个重要美学范畴.比照"母范畴"之"闲","子范畴"为数众多,且于文艺理论中运用更为丰富,包括偏于儒道禅共通境界的标示审美心胸之"闲静"范畴序列,偏于儒家文饰特征的标示"有为而自然"审美风格之"闲丽"、"闲雅"范畴序列和偏于道家自然特征的标示"无为而自由"审美风格之"闲逸"范畴序列.每种范畴序列的衍生语境、范畴构成以及在古代文艺理论中的审美意义具有重要研究价值.
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| 关 键 词： | 闲 子范畴 审美 |
The Aesthetic Research on Sub-categories of "Xian" |
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| SU Zhuang. The Aesthetic Research on Sub-categories of "Xian"[J]. Journal of Tongji University(Social Science Section), 2010, 21(6) |
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| Authors: | SU Zhuang |
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| Affiliation: | SU Zhuang (School of Journalism,Fudan University,Shanghai 2000433,China) |
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| Abstract: | Xian is an important category in ancient China. Compared with the meta-category of Xian,the sub-categories are numerous and plentifully used in the ancient theories of literature and art, such asXian-Jing category sequence as aesthetic spirit with tend to Confucianism,Taoism and Zen's common state;Xian-Li,Xian-Yacategory sequence as adorning but natural aesthetic style with tend to Confucian decorative features and Xian-Yi category sequence as non-adorning and free aesthetic style with tend to Taoist natura... |
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| Keywords: | xian sub-category aesthetic |
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