| 戏剧本质论之述评 |
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| 引用本文： | 孙书磊. 戏剧本质论之述评[J]. 内蒙古民族大学学报(社会科学版), 2007, 33(1): 46-49 |
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| 作者姓名： | 孙书磊 |
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| 作者单位： | 南京师范大学,文学院,江苏,南京,210097 |
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| 摘 要： | 戏剧本质论主要体现在关于戏剧结构、戏剧性、戏剧表演体系等具体论述中。该文对戏剧结构学说中的“综合艺术说”、“三位一体说”、“三个圆圈说”等主要观点,戏剧性学说中的“动作说”、“冲突说”、“激变说”、“情境说”、“对话说”、“仪式说”等诸种解释,以及表演体系说中的斯坦尼斯拉夫斯基体系、布莱希特体系、梅兰芳体系等世界三大表演体系进行述评,揭示了戏剧理论界对戏剧本质认识的历程、意义及其局限,指出中国民族戏剧体制对理解戏剧本质的独特价值。
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| 关 键 词： | 戏剧理论 本质论 戏剧结构 戏剧性 表演体系 |
| 文章编号： | 1671-0215(2007)01-0046-04 |
| 修稿时间： | 2006-03-25 |
On the Theory of Drama Inbeing |
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| SUN Shu-lei. On the Theory of Drama Inbeing[J]. Journal of Inner Mongolia University for Nationalities(Social Sciences), 2007, 33(1): 46-49 |
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| Authors: | SUN Shu-lei |
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| Abstract: | Theory of drama inbeing is mostly embodied discussing drama configuration,histrionic and performing system.This paper not only comments on the theory of drama configuration such as compositive art,trinity and three circles,the theory of histrionic such as action,conflict,Crisis,affection circumstance,dialogue and ceremonial,and the theory of performing system such as Konstantin Stanislavsky's,Berolt Brecht's,MEI Lan-fang's and on,but also opens out the course,meaning and localization of knowledge about drama inbeing in the drama circles,points out the alone value of the system of Chinese drama understanding drama inbeing. |
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| Keywords: | Drama theory Inbeing theory Drama configu ration Dramatization Performing system |
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