| 论《潮水集》跨文体写作的艺术张力 |
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| 引用本文： | 燕世超.论《潮水集》跨文体写作的艺术张力[J].肇庆学院学报,2012,33(6):1-4. |
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| 作者姓名： | 燕世超 |
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| 作者单位： | 汕头大学文学院,广东汕头,515063 |
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| 摘 要： | 散文集《潮水集》的跨文体写作主要表现在两个方面：一是文史交融，作者建构了一个三维情感世界，使作品在文学与历史中穿行；二是均衡之美，表现在“叙事一抒情一叙事”和“议论一抒情一议论”两个创作模式上。
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| 关 键 词： | 跨文体写作 文史交融 均衡之美 |
On the Artistic Tension of the Cross-genre Writing Technique in Tidewater Collection |
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| YAN Shichao.On the Artistic Tension of the Cross-genre Writing Technique in Tidewater Collection[J].Journal of Zhaoqing University (Bimonthly),2012,33(6):1-4. |
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| Authors: | YAN Shichao |
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| Institution: | YAN Shichao(College of Liberal Arts,Shantou University,Shantou,Guangdong,515063,China) |
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| Abstract: | The cross-genre writing technique in the prose collection Tidewater Collection is mainly reflected in two aspects： First, the blending of literature and history which unfolds an emotional world with three dimen- sions and enables the works to navigate through literature and history; Second, the beauty of equilibrium as re- flected in the two creative forms： ＂narration--lyric--narration＂, and ＂argumentation--lyric--argumentation.＂ |
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| Keywords: | Cross-genre writing technique blending of literature and history beauty of equilibrium |
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