| 从忠实的镜像到超真实的幻像--20世纪模仿理论的演变 |
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| 引用本文： | 高燕.从忠实的镜像到超真实的幻像--20世纪模仿理论的演变[J].四川大学学报(哲学社会科学版),2006(3):87-93. |
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| 作者姓名： | 高燕 |
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| 作者单位： | 复旦大学,艺术教育中心,上海,200433 |
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| 摘 要： | “模仿”是西方美学和文论中最为重要的范畴之一。评述20世纪阐释学、结构主义和后现代思潮对模仿的重新理解,并指出:在从艺术领域向哲学领域的扩展中,模仿经历了从忠实的镜像到超真实的幻像的演变过程,在丧失作为艺术本质的传统权威地位的同时,它作为消解“在场”形而上学和自我指涉之符号的自由游戏,又获得新的意义和价值。
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| 关 键 词： | 20世纪 模仿 镜像 幻像 |
| 文章编号： | 1006-0766(2006)03-0087-07 |
| 修稿时间： | 2005年9月10日 |
From Mirror-Image to Hyper-Realistic Illusion:the Evolution of Imitation Theories in the 20th Century |
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| GAO Yan.From Mirror-Image to Hyper-Realistic Illusion:the Evolution of Imitation Theories in the 20th Century[J].Journal of Sichuan University(Social Science Edition),2006(3):87-93. |
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| Authors: | GAO Yan |
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| Abstract: | Imitation is one of the most important conceptions of western aesthetics and theory of literature.This paper separately analyzes new comprehensions of imitation in 20th century in Hermeneutics,Structuralism and Postmodernism,and shows imitation evolves from real mirror-image to hyper-realistic illusion during which it extends from art to philosophy,and loses traditional authoritative position as the essence of art.At the same time,imitation is seen as free plays of signs which deconstruct ontological metaphisics and is self-references and given new meaning and value. |
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| Keywords: | 20th century imitation theories mirror-image illusion |
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