抗战时期大后方美术中心的成因

抗战时期 ,众多的美术团体、院校和美术家 ,迁徙至以重庆为中心的大后方 ,使大后方成为战时美术最为活跃的区域。这一局面的形成 ,不仅与四川特殊的地理环境为美术家提供了相对安稳的生活创作条件有关 ,更重要的是文艺界抗日民族统一战线的形成 ,特别是中共南方局对抗日美术运动的关注与支持 ,为美术的繁荣营造了必要的政治氛围。美术家们在救亡旗帜的引导下 ,创作热情高涨 ,在中国现代美术史上写下了绚丽的篇章

Causes of the Formation of Fine Arts Center in the Area under KMT Rule

During the Anti\| Japanese War, a great number of fine arts organization, institutes and artists moved to the area under KMT rule, with chongqing as its center. The art activities there became the most active and prosperous during the wartime. This is owing not only to the special geographical environment of Sichuan which provided relatively stable living and working conditions for the artists, but also to the formation of the national united front in the fine arts circle to resist against Japanese aggression. Moreover, the care and support from the Southern Bureau of CCP also contributed to the forming of a necessary political atmosphere for the prosperity of fine arts, under the banner of national salvation, the artists, burning with creative passion and power, wrote a brilliant Chapter in the history of modern fine arts in China.