论周济的词学音律观

周济是常州词派中论及音律的第一人。周济的音律论主要体现在《词调选集》及《宋四家词选目录序论》中 ,周济从三个方面 ,分别从词的押韵特色、四声、句式及相关的“领字”、“积字”、“换头、煞尾”等角度 ,论述了词的音韵问题。审音度声 ,讲求表现技巧 ;强调词调与作品中表达的情感相联系 ;关注读者的接受情况 ,以“须令读者耳目振动”为佳制──这正是周济音律论的特色。就技巧而言 ,周济所论多是对前人理论的承继或发挥 ,但后二者 ,则是周济的新创获

A Study of Zhou Ji's Concepts of Poetic Rhythm

Zhou Ji was the first among the Changzhou critics of Ci who spoke on the issue of poetic rhythms. Zhou Ji's principal concepts may be found in his book A Collection of Rhythms of Ci and his Preface to the Collection of Four Song Dynasty Ci Poets , in which he studies the main features of the rhyming system of Ci in its tones, syntax and other characteristic strategies. His emphasis on the acoustically expressive functions of the Ci rhythms in relation to the diction of syntactically meaningful expressions as well as his reader-response enforcement theories have distinguished his ideas on rhythm as outstanding. Though Zhou's ideas on poetic techniques are a mere repetition or at most an insignificant development of his forerunners, his requirements for expressiveness and reader responses are nevertheless unique and very original.